Video Views Archive
John Coltrane was, after Charlie Parker, the most revolutionary and widely
imitated saxophonist in jazz. Coltrane grew up in High Point, North Carolina,
where he learned to play E-flat alto horn, clarinet, and (at about the age of
15) alto saxophone. After moving to Philadelphia he enrolled at the Ornstein
School of Music and the Granoff Studios; service in a navy band in Hawaii
(1945-46) interrupted these studies. He played alto saxophone in the bands led
by Joe Webb and King Kolax, then changed to the tenor to work with Eddie "Cleanhead"
Vinson (1947-48). He performed on either instrument as circumstances demanded
while in groups led by Jimmy Heath, Howard McGhee, Dizzie Gillespie (with whom
he made his first recording in 1949), Earl Bostic, and lesser-known
rhythm-and-blues musicians, but by the time of his membership in Johnny Hodges's
septet (1953-54) he was firmly committed to the tenor instrument. He performed
infrequently for about a year, then leaped to fame in Miles Davis' quintet with
Red Garland, Paul Chambers, and Philly Joe Jones (1955-57).
Throughout the 1950s addiction to drugs and then alcoholism disrupted his career. Shortly after leaving Davis, however, he overcame these problems; his album A Love Supreme celebrated this victory and the profound religious experience associated with it. Coltrane next played in Thelonius Monk's quartet (July-December 1957), but owing to contractual conflicts took part in only one early recording session of this legendary group. He rejoined Davis and worked in various quintets and sextets with Cannonball Adderley, Bill Evans, Chambers, Jones, and others (1958-60). While with Davis he discovered the soprano saxophone, purchasing his own instrument in February 1960.
Having led numerous studio sessions, established a reputation as a
composer, and emerged as the leading tenor saxophonist in jazz, Coltrane was now
prepared to form his own group; it made its debut at New York's Jazz Gallery in
early May 1960. After briefly trying Steve Kuhn, Pete La Roca, and Billy
Higgins, Coltrane hired two musicians who became longstanding members of his
quartet, McCoy Tyner (1960-65) and Elvin Jones (1960-66); the third, Jimmy
Garrison, joined in 1961. With these sidemen the quartet soon acquired an
international following. At times Art Davis added a second double bass to the
group; Eric Dolphy also served as an intermittent fifth member on bass clarinet,
alto saxophone, and flute from 1961 to 1963, and Roy Haynes was the most regular
replacement for Elvin Jones during the latter's incarceration for drug addiction
Coltrane turned to increasingly radical musical styles in the mid-1960s. These controversial experiments attracted large audiences, and by 1965 he was surprisingly affluent. From autumn 1965 his search for new sounds resulted in frequent changes of personnel in his group. New members included Pharoah Sanders, Alice Coltrane (his wife), Rashied Ali (a second drummer until Jones' departure), several drummers as seconds to Ali, and a number of African-influenced percussionists. In his final years and after his death, Coltrane acquired an almost saintly reputation among listeners and fellow musicians for his energetic and selfless support of young avant-garde performers, his passionate religious convictions, his peaceful demeanor, and his obsessive striving for a musical ideal. He died at the age of 40 of a liver ailment. A videotape tracing his development, The Coltrane Legacy, produced by David Chertok and Burrill Crohn, was issued in 1987.
John Coltrane....and a very young Stan Getz....Blisteringly Good
John Coltrane....Every time we say Goodbye
and Coltrane's majestic.... "My Favourite Things"
Video Views Archive